Contributors to this panel were invited to take part in a book sprint—an intense four-day writing retreat—in November 2012 in Berlin to explore André Malraux's notion of the ‘Imaginary Museum’ or ‘Museum Without Walls’ in computational and new aesthetic terms.
transmediale/magazine is a new format of transmediale, a magazine on art and digital culture which marks the continued presence of transmediale in the city and internationally beyond the festival itself. It contains actual information about art and digital culture, and will be appreciated by the international scene of arts and culture. Three issues are envisioned per year. It will take the discourses and thematic we start annually at the festival, and bring them into discussions throughout the whole year.
Art Laboratory Berlin would like to invite you to the next monthly reSource meeting on Tuesday, 29 April at 18:30. | Art Laboratory Berlin, Prinzenallee 34, near Ubhf Pankstr and Osloerstr; SBhf Bornholmerstr; M27 | Read full post.
Ashim Ahluwalia (*1972, Bombay) studied Film at Bard College in New York State. In 1999, Ahluwalia set up Film Republic, dedicated to producing Indian independent cinema outside the traditional Bollywood system. A year later, Ahluwalia completed Thin Air, a documentary that followed the lives of three magicians against the backdrop of contemporary Bombay.
Melissa Mongiat’s approach revolves around participation by the public. Her creations have included a series of interactive environments for the Royal Festival Hall in London, for which /Wallpaper*/ magazine selected her as one of the world’s 10 most promising designers. She also stands out for her research projects in participative design.
The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the International Astronomical Union infamously voted in favor of “demoting” Pluto from its planetary status. transmediale 2013 suggested that this classification crisis, spurred on by new technologies and shifting knowledge paradigms, opens up a rich space of cultural negotiation and artistic intervention.