transmediale
Login / Create new account

Archive

data.tron [3 SXGA+ version]

Year: 
2007-09
Location: 
House of World Cultures
Format:
installation

Ryoji Ikeda’s visual works are emblematic of a future defined and visualised through the lens of digital technologies. In this large-scale audiovisual installation – shown for the first time in Germany – Ikeda makes the imperceptible sea of data that permeates our world, dramatically visible through digital projection. A vast field of white light, which occasionally resembles the ‘white noise’ of a detuned television, confronts the visitor. Each single pixel of the visual image is strictly calculated by mathematical principle. data.tron [3 SXGA+ version] is part of the datamatics series of experiments that seek to materialise pure data. Scientists and mathematicians use the same banks of data to create predictive models which describe possible futures. Ikeda translates this data into an intense and striking immersive experience.

 

 

 

 

 

 

Ryoji Ikeda - data.tron [3 SXGA+ version] (2007-09)
Courtesy of Gallery Koyanagi
Concept, composition: Ryoji Ikeda
Computer graphics, programming: Shohei Matsukawa, Norimichi Hirakawa, Tomonaga Tokuyama

Produced by forma - Supported by Geiertronic
Related content: 
The exhibition Future Obscura brings together a group of diverse artworks by internationally renown artists which explore the complex condition of futurity through the lens of image-making. All you need to do to find out more about these works is to click on the images featured just below.
We make our journeys out there in the low light of the future, and return to the bourgeois day and its mass delusion of safety, to report on what we've seen. What are any of these 'utopian dreams' of ours but defective forms of time-travel? Thomas Pynchon, Against the Day (2006) Future Obscura...