Georgios Papadopoulos combines economics, philosophy and aesthetics with an exploratory artistic practice. His research gravitates around money and its socioeconomic functions. He holds a MSc from the London School of Economics and is pursuing a PhD at the Erasmus University. In 2008-9 he worked the Jan Van Eyck Academy and in 2012 was awarded the Vilém Flusser Residency for Artistic Research. His next project on the iconography of alternative currencies will be inaugurated at the Mq21, Vienna.
We demand meaning and consistency from the cultural products we consume and this program is designed as a crude rebellion against this comfortable idea that there are objective “standards” of any kind and that we have a right to expect “good taste.” ...
The Creatures is an endless combination of living members/ apparatuses, composed by miniature robots that live autonomously, receiving energy from solar cells and generating a variety of soft sounds and tiny movements.
Was passiert eigentlich mit den ganzen Bildern, die wir ununterbrochen von uns machen, wenn wir tot sind? | Mit Werken von Jesse McLean, Karin Fisslthaler, Sergio Oksman, John Smith, Bjørn Melhus, Tasman Richardson
Presented jointly with CTM Festival, Dinos Chapman, one half of the enfants terribles of British contemporary art, The Chapman Brothers, will perform the German premiere of his audiovisual live show based on his acclaimed 2013 release, Luftbobler.
Constant control of the individual is a vital element of all modern societies. Currently, however, contemporary democracies seem to be shifting fundamentally into new, digitally supported, surveillance states... | With works Krzysztof Kieślowski, Nadav Assor, Andy Weir, Ivar Veermäe, Maha Maamoun, Chris Marker
Digital Plays widmet sich spielerisch-ironisch der filmischen Fiktion, die so oft – und selten freiwillig – im Trash endet. | Mit Werken von Elizabeth Vander Zaag, Ella Raidel, Ho Tzu Nyen, Neïl Beloufa, Keren Cytter, Beatrice Gibson