How will our quantified lives unfold? transmediale 2015 looks at how we make sense of a culture dependant on measurement and automation procedures, and how to act with autonomy within such a culture. We are living in societies and economies defined by a global competitive drive for constant, algorithm-guided optimisation. While debates rage over government and corporations operating to covertly “collect, process and exploit” all communication flows, are our own roles and responsibilities perhaps being downplayed? What are the underlying motivational structures that propel our hard work and play participation in the networks? transmediale 2015 presents artistic responses and speculative scenarios as well as critical thinking on processes of gamification, quantification, ubiquitous networking and algorithmic control and their ways of making the spheres of everyday life, work and play increasingly indistinguishable.
In a society ruled by algorithms, data is always at play. The drive towards the quantification of everything means that we are all contributing to a state of permanent capture of life into data. As citizens, workers and players of the networks we (often involuntarily) double as sensors for bodies of global data collection, working for the potential extraction of value everywhere and increasing the productivity of everyday life.
Start browsing through the transmediale 2014 programme. Soon, details of the last wave of events and participants will be published (available also in German). For an overview of our highlights as well as outlines of our exhibition, performance, conference and screening programmes, read our programme overview.
Looking beyond the evolving alarmist scenarios of environmental catastrophe prevalent in the global warming debate, transmediale.09 shifts the focus of this challenge to the broader cultural, societal and philosophical consequences that the collapse of the northern ice barrier reveals.
transmediale would like to announce our 2013 program and rich roster of participants. Traversing thematic threads, professions, panels, exhibitions, film screenings, performances, and workshops; the one Pluto long day and Earth week will present visitors with diverse events re-enacting not-so-distant pasts and half-forgotten places. We will explore unrealistic and poetic modes of cultural critique—as if BWPWAP. >> Read more.
Mobile phones were dumb. Letters traveled by pneumatic air. Tweeting was for birds. Users were chatting on the Minitel. ICQ beat IRC. Xerox challenged the Thermofax. YouTube was just another Web 2 start-up. Fax was the new Telex. You were calling up Bulletin Board Systems. Only university students were using facebooks. History had ended. We had nine planets. Pluto Was A Planet.
BWPWAP Desire is a space in between. If Pluto stands for the introduction of an element generating crisis, in BWPWAP Desire the queer idea of uncertain belonging generates multiple perspectives, where the flow of desire becomes a way to re-imagine identities and subjectivities. >> Read more.
What is the meaning of the assumption that networks are BWPWAP, when (social) networks have become a pervasive part of our daily life, and have contributed to changing the way we create friendships and connections? >> Read more.
Any film can be perceived as an Imaginary Museum as defined by André Malraux. Film footage photographically preserves the moment in an image. It is put into context through montage; the moments are lined up like images in an imaginary museum. >> Read more.
Last August 2012, during the reSource 002: Out of Place, Out of Time event, three installation projects were launched. Their ongoing production lasted six months, leading to transmediale 2013 BWPWAP, where the final results are shown and performed. >> Read more.